Technology
Versus Nature: The Struggle for Mankind in Traveling through the Dark
William Stafford’s Traveling through the Dark may describe a common event, but the tacit meaning of
the poem reduces the subjects to mere symbols. Traveling through the Dark contains a theme that shows that technology and
mankind are killing off nature. The unborn fawn in the second stanza and the
car in the third stanza are just two of several symbols that Stafford used to
reinforce the theme of the poem. In addition to the symbols, Traveling
through the Dark contains vibrant
images that accent the thought of technology pressing man to repulse Mother
Nature and turn to the new science of technology. The very setting of
Stafford’s poem adheres to the theme in such a way that technology aids the
speaker in throwing the deer into the Wilson River canyon. The arrangement of
the poem as a whole compliments the theme of Traveling trough the Dark; the four stanzas represent the struggle between
technology and nature while the fifth stanza represents the quick decisive act
at the end of the altercation.
Several
symbolic elements emphasize the theme of Traveling through the Dark, all within the last three stanzas of the poem. The
first symbol, an unborn fawn, is encountered in the third stanza. The fawn
represents the future of nature in the changing world. Although the mother, or
nature in present time, has been killed the fawn still waits "alive,
still, never to be born" (11). The fawn waits in hope that it will live to
breathe air, in the hope that the speaker will save it. However, technology is
also competing for the speaker’s attention. The first three lines of the fourth
stanza make the idling car into a mechanized beast that kills nature. Some
details about this mechanized beast are on lines thirteen to fifteen where the
car "aimed ahead" (13) its lights, "purred" (14) its
steady, idling engine, and emitting "warm exhaust turning red" (15).
The third and final symbol is revealed only in the last stanza. On line
seventeen, "I thought hard for us all" exhibits the fact that the
speaker is representative of all mankind. The speaker represents mankind coming
around the curve in the dark, ignorant of the impending decision; he symbolizes
mankind being caught in the struggle between nature and technology.
Nature
in the form of a dead doe is portrayed as an object worthy of pity while the
mechanical beast of a car synthesizes an unsympathetic, ruthless image. Among
the various descriptions relating to the dead doe, the most conspicuous is of
her being "large in the belly" (8). "The heap, a doe" (6)
describes the speaker’s first impression of the recent killing. Aside from
those two images, the other description of the doe correlates to the sense of
touch; the speaker notices that that the doe’s "side was warm" (10)
after brushing finger against fur. Stafford describes the car with regards to
three of the body’s five senses. The car is described as having its lights
"lowered" (13) or dimmed, casting the scene in shadows. The steady
purring emitted from the engine appeals to the speaker’s sense of hearing.
"Warm exhaust" (16) caresses the speaker, stimulating the speaker’s
sense of touch.
The
conflict occurs only because technology exists. It is as if technology has
tasted blood, and like a crazed beast wants only more blood, the blood of
Mother Nature. It was a car that killed the pregnant doe in the first place.
The reason the speaker found the doe while "traveling through the
dark" (1) was the car’s headlights. The car, which represented technology,
exposed nature as it exists in the present: dead by the side of the road,
killed by a car. However, Mother Nature had an ace up her sleeve in the form of
an unborn fawn, which the speaker had but to deliver instead of discarding the
dead heap to allow nature to continue its course. There is a type of tension as
the speaker decides between nature and technology. The speaker "could hear
the wilderness listen" (16) as he made his decision; all eyes were
watching the decision-maker.
All
eyes watch as the quarrel between technology and nature extends even to the
format of the poem. The first four stanzas in the poem each represent an
endeavor by either nature or technology to sway mankind to its side. Nature
takes its turn first; the first stanza describes a scene in which nature is the
main subject. The second stanza aids technology as the nature-representing deer
is discovered dead "by the glow of the tail-light" (5). The third
stanza revives the possibility of nature prevailing over technology by
introducing the unexpected fact that the doe was pregnant. Technology is
indisputably the driving force behind the fourth stanza with three-quarters of
it dedicated to describing the speaker’s car. The fifth stanza is the ending
moment of the dispute. The sudden chance from four-line stanzas to a two-line
stanza contributes to the abrupt feeling when technology overwhelms nature in
the struggle for domination over mankind.
William Stafford uses different techniques to convey the theme of technology gaining control over mankind and turning against nature in his poem Traveling through the dark. Among the strategies used, symbolism is definitely the most significant and most obvious. However, the form or structure of the poem along with vivid imagery and the setting support the theme very well and compliment the strong use of symbols. Each element has its own purpose and each presents itself best in different parts of the poem. William Stafford’s Traveling through the Dark describes the rise in importance of technology and the fall of nature in society.
Writer’s Reflection
There was nothing special about this paper, except for
the fact that Ms. Harray was in a nice enough mood to give me an "A"
on it. I found neither the poem nor my writing especially interesting. I just
felt as though I had done a complete analysis of the poem (something I haven’t
done in a while) and presented it in a decent manner. Perhaps the nature-loving
part of me found a way to imbue itself in the paper, but otherwise I tried to
maintain a neutral mentality as I wrote it.